On the other hand, since Armstrong is known for his inventive and improvisational style of playing, the incorporation of musical influences from different stylistic backgrounds seemed to have been a success since it resulted in renditions that became widely popular. Decades later, in 1954, Armstrong went into the recording studio with producer George Avakian to record an album of … IvyPanda. Beiderbecke's polished sound and precise rhythms fit beautifully with the symphonic sound of Whiteman's orchestra. ensure the integrity of our platform while keeping your private information safe. Handy, 1954. One interesting aspect about Armstrong is that there is little about this past life (i.e. As a document of obscure, rare, and sometimes never recorded instrumental music (vocals on this date were omitted) of Louis Armstrong & Bix Beiderbecke, Sandke, his New York All Star bands of various sized personnel, and producer George Avakian, have gone to great pains to excavate these 15 gems.The historical aspect alone elevates the cachet of this marvelously … How many pages (words) do you need? Creating a fictionalised version of that meeting, Robert Forrest's play explores the heart and mind of Bix Beiderbecke and his relationship with Louis Armstrong. An introduction to the music, musicians and singers of the swing era. As a result, he focused more on becoming a musician and eschewed formal education so that he could become a better jazz player. His colorful life, quick rise and fall, and eventual status as a martyr made him a legend even before he died. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. Though his tragic death at the age of 28 turned him into a cult figure, his cool, lyrical style of playing still sounds timeless today and is the reason why Beiderbecke remains celebrated. Your privacy is extremely important to us. Here, the track begins with Armstrong’s magnificent solo from the original recording, then crossfades live to The Jim Cullum Jazz Band on stage at The Landing with bandleader Cullum taking the lead on cornet. Commentary, 120(2), 65-68. Teachout (2005) goes on further to explain that it is the life experiences of the performer leading up to the moment of the performance that influences how a particular piece is played out and how a performance is done in the first place. This tended to alter the intended performance of a piece; however, it was the uniqueness that of the music created that drew audiences to him. Web. This is IvyPanda's free database of academic paper samples. Armstrong and Beiderbecke would meet again a few years after that initial encounter on the excursion boat in Davenport, Iowa. On average, jazz compositions are often altered based on the general “energy” of the audience within a particular venue, the interactions musicians have with each other when it comes to playing and even encompasses the mood of the musician at that particular moment. Bix Beiderbecke is best known for his lyrical cornet solos but throughout his life he continued to play piano—the first instrument he learned as a boy. In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. IAJRC Journal, 44(1), 10-16. Let's see if we can help you! Jul 31, 2014 - Explore Anna's board "Bix" on Pinterest. The Story of Bix Beiderbecke’s Davenport Blues. Beiderbecke, (Leon) Bix (1903–31) jazz musician; born in Davenport, Iowa. Like many other Bix-influenced players, I don’t want to simply copy Bix but I do listen to the Master playing in my head, and sometimes I work to see just how fat the sound can get.”. While such a difference may not seem all that important, one factor that is vital to take into consideration is the fact that the renditions of particular jazz songs tend to change based on the type of person that is playing it (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). Retrieved from https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Whether such a condition contributed to his musical talent is never really elaborated on, however, it is known that it led to his untimely demise at such a young age (Haim, 2011). You are free to use it for research and reference purposes in order to write your own paper; however, you must. Some years later Armstrong recalled being in the audience for a concert on July 22, 1928. Bix had returned to Chicago as star soloist with the Paul Whiteman Orchestra and Armstrong remembered Bix’s performance that night, like this:  “All of a sudden Bix stood up and took a solo and those pretty notes went right through me. 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To prove this, it is important to examine the views of Haim (2011) who delved into the various criticisms leveled against the works of Armstrong and Beiderbecke in order to better understand how the concept of “range” influences the general perception of an audience to a particular musician. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." Bix was still at his peak in July 7, 1928 when he recorded “Wa Da Da. Bix Beiderbecke made “Singin' the Blues” famous in a 1927 recording under the leadership of his longtime collaborator, saxophonist Frank Trumbauer. This week Riverwalk Jazz brings together music of two pioneers of jazz—cornetist and trumpeter Louis Armstrong, often cited among the greatest contributors to jazz, and Bix Beiderbecke, the self-taught cornetist whose thoughtful, lyrical approach had an enormous effect on jazz in the 1920s. American breaks with the past in the twenties introductionsof flappers bobbed hair, and short skirts symbolized a new era. By then, the middle-aged Armstrong was unsurpassed on his instrument and a vital contributor to jazz. 5). Louis Armstrong grew up in poverty in a shantytown on the back streets of New Orleans, where basic needs like a full stomach and a pair of shoes were rarely met. Virginia Quarterly Review, 90(2), 207-211. Big bands were the major purveyors of swing music, but by no means the only ones. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. It is based on this that the emotions that a person is able to incorporate into a song is heavily dependent on their life’s experiences. IvyPanda. On the other end of the spectrum, we have Beiderbecke who lived a life of relative comfort and privilege. Teachout (2005) explains that the essence of jazz, when compared to other styles of music, is “different” in the sense that it does not adhere to a certain structure and a way of playing it. Bix Beiderbecke embodied the spirit of the Jazz Age. For example, it was noted that while Armstrong often reached into the upper levels of the register when it came to the tempo and volume of his performances, Beiderbecke rarely did so and was focused more on maintaining a melody that resonated with those of his fellow musicians within an ensemble (Haim, 2011). "Singin' the Blues" record label courtesy of keepswinging blogspot. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." We utilize security vendors that protect and Instead, it is more accurate to assume that the core of many jazz performances is the concept of improvisation wherein a performer often interprets a particular type of jazz song in their own way. Photo in public domain. This is not to stay that both men are not equally talented in their own way, however, since Armstrong had a much harsher life growing up and developing into who he was, it is not surprising that he was able to present a more powerful presence since through his music he is apparently shouting against the injustice that he had to endure (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). Bix Beiderbecke was one of the greatest jazz musicians of the 1920s. Sister Cities: Louis Armstrong’s New Orleans and Stax Records’ Memphis. Reflecting on Bix Beiderbecke’s contribution to jazz, Jim Cullum says, “One of Bix’s true disciples was guitarist Eddie Condon. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. Armstrong was not given the same opportunities, rights as well as many privileges that were accorded to the Caucasian population and had to work considerably to be given the same priveleges. Bix showed up at the dock from his nearby family home and fell in love with Armstrong’s playing. Beiderbecke’s musical style, while definitely soulful and reflective, lacked the “energy” that was apparent in Armstrong’s own work. Whenever Bix would come to town and go down to hear Louis Armstrong at the Sunset [Café], we’d find out about it and go down there and sit at a table with Bix.”, In 1924 Armstrong and Beiderbecke made their New York City debuts about the same time. Decades later, in 1954, Armstrong went into the recording studio with producer George Avakian to record an album of traditional blues composed and collected by another pioneer of American music, W.C. Bix Beiderbecke and Louis Armstrong lived very different lives. 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